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The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

Barbara is a young girl who makes the painful discovery that she is just like everyone else. Her one dominant desire is to “be somebody”, but she really doesn’t know how this can be done. She tries to be “a leader”, but becomes dissatisfied with that and then tries to separate herself from the crowd – but soon "the crowd" attempts to be more like her. Sage advice from her uncle – that she is already “somebody” – satisfies Barbara to be herself.

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The writer Jan Kellert - the author of the widely known book "The Legend of the Vistula", which is part of the canon of pre-war middle school reading, comes from Lublin to Żmurki, where he spent the occupation. The division of the Żmurki estate is to take place the next day. The welcome dinner becomes an opportunity to exchange political views and a critical view of the manor's inhabitants on the current situation.

Our Barbara: A Special Edition of 2020, a two-hour primetime special, will feature Walters’ most groundbreaking and iconic interviews, never-before-seen behind-the-scenes footage of Walters, and interviews with Bob Iger, David Muir, Diane Sawyer, Deborah Roberts, Robin Roberts and George Stephanopoulos, among others, according to the network. ABC News will profile Walters’ prolific life and legacy, including making history as the first woman to co-anchor network morning and evening newscasts and paving the way for women in broadcast journalism.

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A contemporary of Henry Moore, Yorkshire-born Barbara Hepworth has made Cornwall her home. This film by John Read examines how the Cornish landscapes have influenced Hepworth's work, and the artist takes us through the planning stages in the creation of her sculptures.

Inspired by the 1980s American soap opera, Santa Barbara, Svetlana became a mail-order bride from post-Soviet Russia to America. She took her two children with her to California to meet a stranger, a man who would soon become her husband and father to her children. The film brings together the audition process, behind- the-scenes footage, archival home movies, scripted scenes, and an interview with the director's mother, Svetlana. This project is an immersive form of visual storytelling that employs memory and performance in equal measure to show the journey of immigrating to America.